The cartoon caricature of the Liverpool Fab Four was consistent with the zany humour and quirky dialogue that fans had seen in their previous films and interviews, and the psychedelic colours reflected very much the culture of the Swinging Sixties. It is a beautifully crafted story with some of the most artistic and creative music the Beatles had ever produced in this era.
#YELLOW SUBMARINE CARTOON GEORGE FREE#
The Beatles, with their zany humour, confound the Blue Meanies and free the Pepperland residents to return to normal, happily living with Beatles songs of love and delight. Pepper’s Band in an encapsulating bubble. In the film’s plot, the Beatles are the ‘good guys’, who travel to Pepperland to liberate them from the ‘Blue Meanies’, who have frozen the people and engulfed Sgt. It is significant that although the year 1968 has been viewed by historians as a year of revolution and unrest, it was this modern fairy tale that proved to be a commercial and artistic success. The film was a cartoon that worked on many levels, chiefly as a beautifully whimsical and comical children’s story, with a screenplay based on The Beatles’ song Yellow Submarine, taken from their 1966 Revolver album. This may account for the shape-shifting trend of some of the characters in Yellow Submarine. King Features Syndicate was an American enterprise that was responsible, amongst other things, for the Betty Boop cartoon franchise. Yellow Submarine was directed by animation producer George Dunning, and produced by United Artists (UA) and King Features Syndicate. It was to be their fourth film, Let it Be (1970), that represented the completion of the United Artists contract. Richard Fleischer, 1965) and Magical Mystery Tour (1967), perhaps explaining their limited involvement. The film was initially part of a three film contact for United Artists, but the band were initially cautious of the film following the reception to Help! (dir. The cartoon Yellow Submarine featured the cartoon caricatures of the Beatles but not their voices, though the Beatles did appear at the end of the film as themselves due to their contractual commitment. The days of their Hamlet-style haircuts with suits had gone, and now there was a more progressive image that was a reflection of the post -1966 ‘Swinging Sixties’ – a period of British culture that was generated by the emerging and radical pop culture of the Western world. George Dunning, 1968) featuring The Beatles (John Lennon, Paul McCartney, George Harrison, and Ringo Starr.) This was the Fab Four in their post mop-top stage in a style that bespoke the more psychedelic 1960s, at a stage where the group were now fashionably attired with long hair in colourful costumes. As a child I queued for what seemed an eternity to see the cartoon Yellow Submarine (dir.
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